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Shortlisted Artists
Jesse DarlingNominated for his solo exhibitions No Medals, No Ribbons at Modern Art Oxford and Enclosures at Camden Art Centre. Darling’s work encompasses sculptures and installations which evoke the vulnerability of the human body and the precariousness of power structures. The jury was struck by Darling’s ability to manipulate materials in ways that skillfully express the messy reality of life. They felt that these exhibitions revealed the breadth and integrity of Darling’s practice, exposing the world’s underlying fragility and refusing to make oneself appear legible and functioning to others.- Ghislaine LeungNominated for her solo exhibition Fountains at Simian, Copenhagen. Leung’s work takes the form of ‘scores’ – sets of instructions that test the boundaries of the gallery space. Baby monitors, child safety gates, inflatable structures, toys, and water fountains are used to turn the exhibition structure on its head, asking questions about time, leisure, and labour. The jury particularly commended the warm, humorous, and transcendental qualities that lay behind the sleek aesthetic and conceptual nature of Leung’s work, as well as her commitment to challenging the way art is produced and circulated.
- Rory PilgrimNominated for the commission RAFTS at Serpentine and Barking Town Hall, and a live performance of the work at Cadogan Hall, London. Pilgrim’s work interweaves stories, poems, music and film, created in collaboration with local communities in the borough of Barking and Dagenham, to reflect on times of change and struggle during the pandemic. The jury praised the project as a standout example of social practice. They felt that Pilgrim’s beautiful and affecting musical arrangements gave light to their collaborators’ voices and that the confidence and vulnerability of the performance reflected the strength of the relationship between artist and community.
- Barbara WalkerNominated for her presentation entitled Burden of Proof at Sharjah Biennial 15. With a practice that interrogates past and present issues of racial identity, exclusion and power, Walker’s presentation explores the impact of the Windrush scandal, underlaying figurative drawn portraits with facsimiles of the documentation these individuals had to produce to prove their right to remain. The jury applauded Walker’s ability to use portraits of monumental scale to tell stories of a similarly monumental nature, whilst maintaining a profound tenderness and intimacy across the full scope of her work.
- An ambitious community programme for East Sussex to coincide with Turner Prize 2023 - which takes place at Towner Eastbourne
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